Singila
- Keter, Francis with Nandi men, Tracey, Hugh
- Authors: Keter, Francis with Nandi men , Tracey, Hugh
- Date: 1950
- Subjects: Mijikenda (African people) , Nandi (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kapsabet f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176779 , vital:42751 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR163-14
- Description: Another simple repetitive song by the Nandi which is sometimes used as a party or drinking song. Moran dance song for men.
- Full Text: false
- Date Issued: 1950
- Authors: Keter, Francis with Nandi men , Tracey, Hugh
- Date: 1950
- Subjects: Mijikenda (African people) , Nandi (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kapsabet f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176779 , vital:42751 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR163-14
- Description: Another simple repetitive song by the Nandi which is sometimes used as a party or drinking song. Moran dance song for men.
- Full Text: false
- Date Issued: 1950
Sochoi
- Moroko, Kiptui Arap with Nandi men, Tracey, Hugh
- Authors: Moroko, Kiptui Arap with Nandi men , Tracey, Hugh
- Date: 1950
- Subjects: Mijikenda (African people) , Nandi (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kapsabet f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176761 , vital:42749 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR163-12
- Description: A dance song with words of no special meaning whose only function is to keep the dance alive. The Moran dance with its leaping young men springing into the air like pogo sticks is one of the more spectacular performances which frequently have the simplest and most unattractive music as background. This item is typical. Moran dance song for men.
- Full Text: false
- Date Issued: 1950
- Authors: Moroko, Kiptui Arap with Nandi men , Tracey, Hugh
- Date: 1950
- Subjects: Mijikenda (African people) , Nandi (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kapsabet f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176761 , vital:42749 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR163-12
- Description: A dance song with words of no special meaning whose only function is to keep the dance alive. The Moran dance with its leaping young men springing into the air like pogo sticks is one of the more spectacular performances which frequently have the simplest and most unattractive music as background. This item is typical. Moran dance song for men.
- Full Text: false
- Date Issued: 1950
Tumbo yangu inanibuma
- Mwinji, Kalachu, Tracey, Hugh
- Authors: Mwinji, Kalachu , Tracey, Hugh
- Date: 1950
- Subjects: Mijikenda (African people) , Nandi (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kilifi f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176698 , vital:42741 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR163-05
- Description: 'My belly aches, my belly aches, I must not eat pawpaws ever again." A most attractive little song in spite of its uncomfortable subject. It has a kind of mediaeval flavour. Topical song.
- Full Text: false
- Date Issued: 1950
- Authors: Mwinji, Kalachu , Tracey, Hugh
- Date: 1950
- Subjects: Mijikenda (African people) , Nandi (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kilifi f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176698 , vital:42741 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR163-05
- Description: 'My belly aches, my belly aches, I must not eat pawpaws ever again." A most attractive little song in spite of its uncomfortable subject. It has a kind of mediaeval flavour. Topical song.
- Full Text: false
- Date Issued: 1950
Yuno mwazonga
- Authors: Mbaru, Lukas , Tracey, Hugh
- Date: 1950
- Subjects: Mijikenda (African people) , Nandi (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kilifi f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176707 , vital:42742 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR163-06
- Description: A man's father had died and he offered a reward to anyone who could tell him who had killed his father. An attractive unison song in which the school boys have used their rules as castanets. European influence in the imabic melody is suspected. The song has one verse only, repeated several times. Raba dance song for boys and girls in two lines, with Kayamba (scholl rulers) struck together as castanets.
- Full Text: false
- Date Issued: 1950
- Authors: Mbaru, Lukas , Tracey, Hugh
- Date: 1950
- Subjects: Mijikenda (African people) , Nandi (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kilifi f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176707 , vital:42742 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR163-06
- Description: A man's father had died and he offered a reward to anyone who could tell him who had killed his father. An attractive unison song in which the school boys have used their rules as castanets. European influence in the imabic melody is suspected. The song has one verse only, repeated several times. Raba dance song for boys and girls in two lines, with Kayamba (scholl rulers) struck together as castanets.
- Full Text: false
- Date Issued: 1950
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