Ekizina ky’abaishiri
- Ferezi Bazamu and Nkole girls, Hugh Tracey
- Authors: Ferezi Bazamu and Nkole girls , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Mbarara f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169965 , vital:41843 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0134-02
- Description: Song sung as a farewell to a bride by her girl friends when she is about to go to her new home. Wedding song with conical drum, laced, single and four raft rattles.
- Full Text: false
- Date Issued: 1950
- Authors: Ferezi Bazamu and Nkole girls , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Mbarara f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169965 , vital:41843 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0134-02
- Description: Song sung as a farewell to a bride by her girl friends when she is about to go to her new home. Wedding song with conical drum, laced, single and four raft rattles.
- Full Text: false
- Date Issued: 1950
Ekizina ky’okuhingera
- Ferezi Bazamu and Nkole girls, Hugh Tracey
- Authors: Ferezi Bazamu and Nkole girls , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Mbarara f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169961 , vital:41842 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0134-01
- Description: Song sung as a farewell to a bride by her girl friends when she is about to go to her new home. Wedding song with conical drum, laced, single and four raft rattles.
- Full Text: false
- Date Issued: 1950
- Authors: Ferezi Bazamu and Nkole girls , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Mbarara f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169961 , vital:41842 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0134-01
- Description: Song sung as a farewell to a bride by her girl friends when she is about to go to her new home. Wedding song with conical drum, laced, single and four raft rattles.
- Full Text: false
- Date Issued: 1950
Ekyeshansha
- Authors: Katakura , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kamakuzi f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170065 , vital:41854 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0134-12
- Description: This strange and rather unmusical instrument is a plain J shaped bow of round section. The long arm of the J is held onto the left shoulder and the base of the bow stands on a resonator; a petrol tin, held there by the left hand. There are 3 strings two across the lower end of the bow which are plucked by the left thumb. The third (plucked with a stick plectrum) is stretched across the bow from the lower tip to near the upper hip. It is stoped by the player's chin, in one, two or three positions. A very simple accompaniment only is possible. The tuning of these strings was as follows; 364, 292, 198. 1. 364 vs. the shortest strng across the head of the bow. 2. 292 is the second string above it. 3. 198 is the stopped string. 1 is played by plucking with the left thumb. 2 is played by both the left thumb and by the plectrum in the right hand. 3 is played by the plectrum only. The song recalls the fighting with a certain tribe to the south which is now part of Tanganyika territory, and praises the old army. In this part of Africa and especially around the great lakes several reciters of legend use relatively unmusical instruments with which to provide a thrumming background to their declamations. Historic recitation with musical bow of three strings. Ekiningo.
- Full Text: false
- Date Issued: 1950
- Authors: Katakura , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kamakuzi f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170065 , vital:41854 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0134-12
- Description: This strange and rather unmusical instrument is a plain J shaped bow of round section. The long arm of the J is held onto the left shoulder and the base of the bow stands on a resonator; a petrol tin, held there by the left hand. There are 3 strings two across the lower end of the bow which are plucked by the left thumb. The third (plucked with a stick plectrum) is stretched across the bow from the lower tip to near the upper hip. It is stoped by the player's chin, in one, two or three positions. A very simple accompaniment only is possible. The tuning of these strings was as follows; 364, 292, 198. 1. 364 vs. the shortest strng across the head of the bow. 2. 292 is the second string above it. 3. 198 is the stopped string. 1 is played by plucking with the left thumb. 2 is played by both the left thumb and by the plectrum in the right hand. 3 is played by the plectrum only. The song recalls the fighting with a certain tribe to the south which is now part of Tanganyika territory, and praises the old army. In this part of Africa and especially around the great lakes several reciters of legend use relatively unmusical instruments with which to provide a thrumming background to their declamations. Historic recitation with musical bow of three strings. Ekiningo.
- Full Text: false
- Date Issued: 1950
Ekyokuhimbisa batahibe
- Authors: Eri Kavigira , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kamukuzi f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170225 , vital:41872 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0135-03
- Description: A young boy recited the praises of noblemen. It is customary for a praise reciter to hold a spear upright in one hand resting the butt on the ground and gesticulating with the other; at the end of the chant he stabs the butt of the spear into the ground. This can be heard on the recording. Praise chant.
- Full Text: false
- Date Issued: 1950
- Authors: Eri Kavigira , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kamukuzi f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170225 , vital:41872 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0135-03
- Description: A young boy recited the praises of noblemen. It is customary for a praise reciter to hold a spear upright in one hand resting the butt on the ground and gesticulating with the other; at the end of the chant he stabs the butt of the spear into the ground. This can be heard on the recording. Praise chant.
- Full Text: false
- Date Issued: 1950
Ekyoma kyabora
- Authors: Eriya Bakwasa , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169629 , vital:41779 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-05
- Description: Cotton id one of the best cash crops in this most fertile district and this song concerns the cotton ginnery of Kyabora which is run by an Indian. 'The machine Kyaboro' he call it. The harp is made of a simple oval shaped wooden bowl with skins laced onto top and bottom. The arch of the keys is a stout carved stick in which the 8 pegs are inserted for tightening the strings. The tuning of the harp is as follows:- 322, 284, 240, 180, 161, 142, 120 vs. Topical song with Ekidongo eight string horizontal harp.
- Full Text: false
- Date Issued: 1950
- Authors: Eriya Bakwasa , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169629 , vital:41779 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-05
- Description: Cotton id one of the best cash crops in this most fertile district and this song concerns the cotton ginnery of Kyabora which is run by an Indian. 'The machine Kyaboro' he call it. The harp is made of a simple oval shaped wooden bowl with skins laced onto top and bottom. The arch of the keys is a stout carved stick in which the 8 pegs are inserted for tightening the strings. The tuning of the harp is as follows:- 322, 284, 240, 180, 161, 142, 120 vs. Topical song with Ekidongo eight string horizontal harp.
- Full Text: false
- Date Issued: 1950
Ekyoma kyabora
- Authors: Eriya Bakwasa , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169646 , vital:41778 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-05
- Description: Cotton id one of the best cash crops in this most fertile district and this song concerns the cotton ginnery of Kyabora which is run by an Indian. 'The machine Kyaboro' he call it. The harp is made of a simple oval shaped wooden bowl with skins laced onto top and bottom. The arch of the keys is a stout carved stick in which the 8 pegs are inserted for tightening the strings. The tuning of the harp is as follows:- 322, 284, 240, 180, 161, 142, 120 vs. Topical song with Ekidongo eight string horizontal harp.
- Full Text: false
- Date Issued: 1950
- Authors: Eriya Bakwasa , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169646 , vital:41778 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-05
- Description: Cotton id one of the best cash crops in this most fertile district and this song concerns the cotton ginnery of Kyabora which is run by an Indian. 'The machine Kyaboro' he call it. The harp is made of a simple oval shaped wooden bowl with skins laced onto top and bottom. The arch of the keys is a stout carved stick in which the 8 pegs are inserted for tightening the strings. The tuning of the harp is as follows:- 322, 284, 240, 180, 161, 142, 120 vs. Topical song with Ekidongo eight string horizontal harp.
- Full Text: false
- Date Issued: 1950
Eky’evugo Ky’obumanzi
- Samuiri Rwomushana and his friend, Hugh Tracey
- Authors: Samuiri Rwomushana and his friend , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kamukuzi f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170239 , vital:41873 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0135-04
- Description: This kind of praise chant was recited to the Chief before the men went off on a raiding party, attacking other parts of their own tribe. This was before the English came in 1890. These chants have never been used in anger in living memory with a few, if any exceptions. Praise chant.
- Full Text: false
- Date Issued: 1950
- Authors: Samuiri Rwomushana and his friend , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kamukuzi f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170239 , vital:41873 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0135-04
- Description: This kind of praise chant was recited to the Chief before the men went off on a raiding party, attacking other parts of their own tribe. This was before the English came in 1890. These chants have never been used in anger in living memory with a few, if any exceptions. Praise chant.
- Full Text: false
- Date Issued: 1950
Eky’evugo Ky’okwema kwa Omugaba Gasyonga II
- Authors: Rusania , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kamukuzi f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170196 , vital:41869 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0135-01
- Description: Recitation of praises in honour of the Mugabi, paramount chief og King of Ankole. Praise chant.
- Full Text: false
- Date Issued: 1950
- Authors: Rusania , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kamukuzi f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170196 , vital:41869 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0135-01
- Description: Recitation of praises in honour of the Mugabi, paramount chief og King of Ankole. Praise chant.
- Full Text: false
- Date Issued: 1950
Eky’omutwe gw’abarwane
- Authors: Katakura , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kamakuzi f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170056 , vital:41853 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0134-11
- Description: This strange and rather unmusical instrument is a plain J shaped bow of round section. The long arm of the J is held onto the left shoulder and the base of the bow stands on a resonator; a petrol tin, held there by the left hand. There are 3 strings two across the lower end of the bow which are plucked by the left thumb. The third (plucked with a stick plectrum) is stretched across the bow from the lower tip to near the upper hip. It is stoped by the player's chin, in one, two or three positions. A very simple accompaniment only is possible. The tuning of these strings was as follows; 364, 292, 198. 1. 364 vs. the shortest strng across the head of the bow. 2. 292 is the second string above it. 3. 198 is the stopped string. 1 is played by plucking with the left thumb. 2 is played by both the left thumb and by the plectrum in the right hand. 3 is played by the plectrum only. The song recalls the fighting with a certain tribe to the south which is now part of Tanganyika territory, and praises the old army. In this part of Africa and especially around the great lakes several reciters of legend use relatively unmusical instruments with which to provide a thrumming background to their declamations. Historic recitation with musical bow of three strings. Ekiningo.
- Full Text: false
- Date Issued: 1950
- Authors: Katakura , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kamakuzi f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170056 , vital:41853 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0134-11
- Description: This strange and rather unmusical instrument is a plain J shaped bow of round section. The long arm of the J is held onto the left shoulder and the base of the bow stands on a resonator; a petrol tin, held there by the left hand. There are 3 strings two across the lower end of the bow which are plucked by the left thumb. The third (plucked with a stick plectrum) is stretched across the bow from the lower tip to near the upper hip. It is stoped by the player's chin, in one, two or three positions. A very simple accompaniment only is possible. The tuning of these strings was as follows; 364, 292, 198. 1. 364 vs. the shortest strng across the head of the bow. 2. 292 is the second string above it. 3. 198 is the stopped string. 1 is played by plucking with the left thumb. 2 is played by both the left thumb and by the plectrum in the right hand. 3 is played by the plectrum only. The song recalls the fighting with a certain tribe to the south which is now part of Tanganyika territory, and praises the old army. In this part of Africa and especially around the great lakes several reciters of legend use relatively unmusical instruments with which to provide a thrumming background to their declamations. Historic recitation with musical bow of three strings. Ekiningo.
- Full Text: false
- Date Issued: 1950
Elosi aberu akipore imaniti abiro
- Iganitiyo Ekacholi and Teso men, Hugh Tracey
- Authors: Iganitiyo Ekacholi and Teso men , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Chopi , Jopadhola (African people) , Teso (African people) , Music--Uganda , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Lukiko f-ug
- Language: Adhola
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169309 , vital:41713 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0130-13
- Description: It is interesting to note the apparent differences in tone between the scale of the harp and the voice. Iganitiyo, the harp, made friends with Chief K. Omudeka and he visited him at his place over the border in Kenya. He was surprised at the great amount of land which was under cultivation there. He entertained the chief every evening of his visit by playing and singing to his Adedeu harp. Topical song with five string Adedeu horizontal harp, clapping and leg rattles, 1 side blown Aluti horn.
- Full Text: false
- Date Issued: 1950
- Authors: Iganitiyo Ekacholi and Teso men , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Chopi , Jopadhola (African people) , Teso (African people) , Music--Uganda , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Lukiko f-ug
- Language: Adhola
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169309 , vital:41713 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0130-13
- Description: It is interesting to note the apparent differences in tone between the scale of the harp and the voice. Iganitiyo, the harp, made friends with Chief K. Omudeka and he visited him at his place over the border in Kenya. He was surprised at the great amount of land which was under cultivation there. He entertained the chief every evening of his visit by playing and singing to his Adedeu harp. Topical song with five string Adedeu horizontal harp, clapping and leg rattles, 1 side blown Aluti horn.
- Full Text: false
- Date Issued: 1950
Emomong’o oluki papakimong’ini
- Iganitiyo Ekacholi and Teso men, Hugh Tracey
- Authors: Iganitiyo Ekacholi and Teso men , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Chopi , Jopadhola (African people) , Teso (African people) , Music--Uganda , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Lukiko f-ug
- Language: Adhola
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169318 , vital:41714 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0130-14
- Description: The Teso are a pastoral people and call their Chiefs by the names of bulls. They say their Chiefs are wise, ruling over the people likebulls over the herds. Praise song with five string Adedeu horizontal harp, clapping and leg rattles, 1 side blown Aluti horn.
- Full Text: false
- Date Issued: 1950
- Authors: Iganitiyo Ekacholi and Teso men , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Chopi , Jopadhola (African people) , Teso (African people) , Music--Uganda , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Lukiko f-ug
- Language: Adhola
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169318 , vital:41714 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0130-14
- Description: The Teso are a pastoral people and call their Chiefs by the names of bulls. They say their Chiefs are wise, ruling over the people likebulls over the herds. Praise song with five string Adedeu horizontal harp, clapping and leg rattles, 1 side blown Aluti horn.
- Full Text: false
- Date Issued: 1950
Enaku zita amalembo
- Kabyoma Mashulamo, Hugh Tracey
- Authors: Kabyoma Mashulamo , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Bukoba f-tz / f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172138 , vital:42165 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR145-03
- Description: "I am worried because I am poor and have no one to look after me." The zither is the ideal instrument with which to express your sorrow it appears. Tuning 152, 136, 126, 118,105, 101, 93 vs. Lament with Nanga trough zither, 7 notes.
- Full Text: false
- Date Issued: 1950
- Authors: Kabyoma Mashulamo , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Bukoba f-tz / f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172138 , vital:42165 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR145-03
- Description: "I am worried because I am poor and have no one to look after me." The zither is the ideal instrument with which to express your sorrow it appears. Tuning 152, 136, 126, 118,105, 101, 93 vs. Lament with Nanga trough zither, 7 notes.
- Full Text: false
- Date Issued: 1950
Enanga rwanzira
- Evanise Kanengere and Toro men and girls, Hugh Tracey
- Authors: Evanise Kanengere and Toro men and girls , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bukuku f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170317 , vital:41885 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0135-12
- Description: This Enanga song is composed by the women in praise of their men folk and are commonly sung at wedding parties. Enanga wedding song.
- Full Text: false
- Date Issued: 1950
- Authors: Evanise Kanengere and Toro men and girls , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bukuku f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170317 , vital:41885 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0135-12
- Description: This Enanga song is composed by the women in praise of their men folk and are commonly sung at wedding parties. Enanga wedding song.
- Full Text: false
- Date Issued: 1950
Endhala yomusana
- Nasuti Social Club, Hugh Tracey
- Authors: Nasuti Social Club , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171483 , vital:42065 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR141-12
- Description: The song refers to the famine of 1943/44. During a famine, they sing, a single woman suffers greatly. So all women should see to it they get married. During this last famine an English man called "Bikapu" gave food to the hungry people. Topical song with Budongo Likembe and Nsaasi flat tin rattle (-12.54-).
- Full Text: false
- Date Issued: 1950
- Authors: Nasuti Social Club , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171483 , vital:42065 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR141-12
- Description: The song refers to the famine of 1943/44. During a famine, they sing, a single woman suffers greatly. So all women should see to it they get married. During this last famine an English man called "Bikapu" gave food to the hungry people. Topical song with Budongo Likembe and Nsaasi flat tin rattle (-12.54-).
- Full Text: false
- Date Issued: 1950
Enjangu
- Eliasi Karuandila with Haya men, Hugh Tracey
- Authors: Eliasi Karuandila with Haya men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Kabale / Bukoba f-tz / f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172074 , vital:42157 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR144-16
- Description: How the cat became a domestic animal. The chattering of villagers can be heard in the background. Story with song.
- Full Text: false
- Date Issued: 1950
- Authors: Eliasi Karuandila with Haya men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Kabale / Bukoba f-tz / f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172074 , vital:42157 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR144-16
- Description: How the cat became a domestic animal. The chattering of villagers can be heard in the background. Story with song.
- Full Text: false
- Date Issued: 1950
Ente za Kanyororo Abateza
- Authors: Nyamukuru , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kamukuzi f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170216 , vital:41870 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0135-02
- Description: In praise of Kanyororo's cattle, of which he was the herdsman. The herd was called "Abateza", and because it was so strinkingly beautiful to the beholder it would make him shade his eyes and stumble away after looking at them. Praise chant.
- Full Text: false
- Date Issued: 1950
- Authors: Nyamukuru , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kamukuzi f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170216 , vital:41870 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0135-02
- Description: In praise of Kanyororo's cattle, of which he was the herdsman. The herd was called "Abateza", and because it was so strinkingly beautiful to the beholder it would make him shade his eyes and stumble away after looking at them. Praise chant.
- Full Text: false
- Date Issued: 1950
Entoro y’omuhogo
- Rusania with Nkole men, Hugh Tracey
- Authors: Rusania with Nkole men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kamakuzi f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170104 , vital:41859 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0134-15
- Description: This song recalls the beauty of the Ankole countryside where they wander over the downs, a nomadic people, herding their cattle and living like the Masai on blood and milk. The style of singing would appear to be more Hima than Bantu. Nostalgic song.
- Full Text: false
- Date Issued: 1950
- Authors: Rusania with Nkole men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kamakuzi f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170104 , vital:41859 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0134-15
- Description: This song recalls the beauty of the Ankole countryside where they wander over the downs, a nomadic people, herding their cattle and living like the Masai on blood and milk. The style of singing would appear to be more Hima than Bantu. Nostalgic song.
- Full Text: false
- Date Issued: 1950
Eremye
- Authors: S. Mondo , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171516 , vital:42086 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR142-03
- Description: Eremye was a leper who said "I must mourn for myself, for no one will come to my funeral.". Topical song, with Ntongoli 8 string lyre.
- Full Text: false
- Date Issued: 1950
- Authors: S. Mondo , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171516 , vital:42086 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR142-03
- Description: Eremye was a leper who said "I must mourn for myself, for no one will come to my funeral.". Topical song, with Ntongoli 8 string lyre.
- Full Text: false
- Date Issued: 1950
Euodi odekayi etwani
- Iganitiyo Ekacholi and Teso men, Hugh Tracey
- Authors: Iganitiyo Ekacholi and Teso men , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Chopi , Jopadhola (African people) , Teso (African people) , Music--Uganda , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Lukiko f-ug
- Language: Adhola
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169278 , vital:41710 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0130-10
- Description: "It matters not how dirty or even feble minded a person may be, he should live and perform his duty in keeping with his station in life." Morality songs with five string Adedeu horizontal harp, clapping and leg rattles, 1 side blown Aluti horn.
- Full Text: false
- Date Issued: 1950
- Authors: Iganitiyo Ekacholi and Teso men , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Chopi , Jopadhola (African people) , Teso (African people) , Music--Uganda , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Lukiko f-ug
- Language: Adhola
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169278 , vital:41710 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0130-10
- Description: "It matters not how dirty or even feble minded a person may be, he should live and perform his duty in keeping with his station in life." Morality songs with five string Adedeu horizontal harp, clapping and leg rattles, 1 side blown Aluti horn.
- Full Text: false
- Date Issued: 1950
Ewutut-tutu
- Ekisa Saulo and Teso men, Hugh Tracey
- Authors: Ekisa Saulo and Teso men , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Chopi , Jopadhola (African people) , Teso (African people) , Music--Uganda , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Lukiko f-ug
- Language: Adhola
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169336 , vital:41716 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0130-16
- Description: The Akisuku dance is done by men and women in two rows shoulder to shoulder. They spring into the air in unision without apparently moving arms or legs but with a clear straight spring, up and down in time with the music. Akisuku dance song for men, with clapping.
- Full Text: false
- Date Issued: 1950
- Authors: Ekisa Saulo and Teso men , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Chopi , Jopadhola (African people) , Teso (African people) , Music--Uganda , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Lukiko f-ug
- Language: Adhola
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169336 , vital:41716 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0130-16
- Description: The Akisuku dance is done by men and women in two rows shoulder to shoulder. They spring into the air in unision without apparently moving arms or legs but with a clear straight spring, up and down in time with the music. Akisuku dance song for men, with clapping.
- Full Text: false
- Date Issued: 1950