Gbada
- Bandani with Mayogo men and women, Hugh Tracey
- Authors: Bandani with Mayogo men and women , Hugh Tracey
- Date: 1952
- Subjects: Bangba (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Mayogo f-cg
- Language: Mayogo/Bazo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166485 , vital:41369 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0118-08
- Description: Yogo women are said to have a large repertoire of women's songs which are sung at special parties and dances. Song for the Gbada dance with 2 Kombi Mbiras, 1 Gbe-kombi Likembe and 1 basket rattle. (-12.54-).
- Full Text: false
- Date Issued: 1952
- Authors: Bandani with Mayogo men and women , Hugh Tracey
- Date: 1952
- Subjects: Bangba (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Mayogo f-cg
- Language: Mayogo/Bazo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166485 , vital:41369 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0118-08
- Description: Yogo women are said to have a large repertoire of women's songs which are sung at special parties and dances. Song for the Gbada dance with 2 Kombi Mbiras, 1 Gbe-kombi Likembe and 1 basket rattle. (-12.54-).
- Full Text: false
- Date Issued: 1952
Gbada
- Bandani and Mayogo men and women, Hugh Tracey
- Authors: Bandani and Mayogo men and women , Hugh Tracey
- Date: 1952
- Subjects: Bangba (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Mayogo f-cg
- Language: Mayogo/Bazo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166519 , vital:41373 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0118-12
- Description: The railway has reached this spot far into the interior of the Congo. It is a narrow gauge (about 2' 6") line which runs from Aketi on one of the northern tributaries of the Congo eastwards to the edge of the great tropical Ituri forest, In common with many other parts of Africa local railway trains have struck the imagination and figure frequently in song. It is interesting to note the "Ai-yo-o" of the singer so often heard in guitar songs. Party song with a Kombi and 1 Gbe-Kombi Likembe.
- Full Text: false
- Date Issued: 1952
- Authors: Bandani and Mayogo men and women , Hugh Tracey
- Date: 1952
- Subjects: Bangba (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Mayogo f-cg
- Language: Mayogo/Bazo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166519 , vital:41373 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0118-12
- Description: The railway has reached this spot far into the interior of the Congo. It is a narrow gauge (about 2' 6") line which runs from Aketi on one of the northern tributaries of the Congo eastwards to the edge of the great tropical Ituri forest, In common with many other parts of Africa local railway trains have struck the imagination and figure frequently in song. It is interesting to note the "Ai-yo-o" of the singer so often heard in guitar songs. Party song with a Kombi and 1 Gbe-Kombi Likembe.
- Full Text: false
- Date Issued: 1952
Gbalabalatauw iye hihe – Work song
- Authors: Mbuti men , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Mbuti (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombari f-cg
- Language: Congo Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168295 , vital:41561 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0125-17
- Description: This song is performed early in the morning, following the day when the Pygmies have moved their camp and havr just completed the making of another. The 'huts' are very primitive shelters made of twigs and leaves and are soon abandoned as the game moves away to other parts of the forest. A small forest bird can be heard at the end of this song. Curative song.
- Full Text: false
- Date Issued: 1952
- Authors: Mbuti men , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Mbuti (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombari f-cg
- Language: Congo Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168295 , vital:41561 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0125-17
- Description: This song is performed early in the morning, following the day when the Pygmies have moved their camp and havr just completed the making of another. The 'huts' are very primitive shelters made of twigs and leaves and are soon abandoned as the game moves away to other parts of the forest. A small forest bird can be heard at the end of this song. Curative song.
- Full Text: false
- Date Issued: 1952
Gbo
- Mayogo men and women, led by Chief Anga, Hugh Tracey
- Authors: Mayogo men and women, led by Chief Anga , Hugh Tracey
- Date: 1952
- Subjects: Bangba (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Mayogo f-cg
- Language: Mayogo/Bazo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166476 , vital:41368 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0118-07
- Description: The Ebi dance has several variations which all follow the general pattern of a circular dance file. The men take the inner circle and the girls the outer, and the drums are outside the ring. The traditional dress for the men is a black or black and red loin cloth made of bark fibre. This is passed between the legs and up over the hips to the waist. It is held in place by a belt and the stiff cloth when properly set gives the impression of a large black tulip in which the mans torso rides on 2 legs. The most attractive feature of these Mangbetu style dance is the bright scarlet headress of the dancers made of tail feathers of the Congo grey parrot. They are a great treasure to these people, feathers representing part of the token payment of a bride's 'lobolo' or bride 'dowry'. They are said to represent a sign of wealth or social position in the tribe. Ebi dance with 1 large wodden cylindrical slit drum, 2 small wooden cylindrical slit drums, 2 wooden pod drums, 2 large conical laced drums, 1 double metal bell.
- Full Text: false
- Date Issued: 1952
- Authors: Mayogo men and women, led by Chief Anga , Hugh Tracey
- Date: 1952
- Subjects: Bangba (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Mayogo f-cg
- Language: Mayogo/Bazo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166476 , vital:41368 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0118-07
- Description: The Ebi dance has several variations which all follow the general pattern of a circular dance file. The men take the inner circle and the girls the outer, and the drums are outside the ring. The traditional dress for the men is a black or black and red loin cloth made of bark fibre. This is passed between the legs and up over the hips to the waist. It is held in place by a belt and the stiff cloth when properly set gives the impression of a large black tulip in which the mans torso rides on 2 legs. The most attractive feature of these Mangbetu style dance is the bright scarlet headress of the dancers made of tail feathers of the Congo grey parrot. They are a great treasure to these people, feathers representing part of the token payment of a bride's 'lobolo' or bride 'dowry'. They are said to represent a sign of wealth or social position in the tribe. Ebi dance with 1 large wodden cylindrical slit drum, 2 small wooden cylindrical slit drums, 2 wooden pod drums, 2 large conical laced drums, 1 double metal bell.
- Full Text: false
- Date Issued: 1952
Gibolo
- Mongonika and Zande men and woman, Hugh Tracey
- Authors: Mongonika and Zande men and woman , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Zande , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Nguru f-cg
- Language: Zande/Bandiya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/167813 , vital:41512 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0123-04
- Description: Mongonika sang the solo phrases to this dance which is called by the same name as himself. He is a clerk at the Chief's office and dressed himself in the traditional barkcloth 'breeches' and beads for the dances. The breeches are made from a five to six foot lenght of barkcloth about 4 feet wide which is drawn up loosely between the legs spread out before and after abd secured by a belt. The result is a rather voluminous dress typical of many tribes in North Eastern Congo. Tuning of Kponingbo:- 664, 568, 469, 392, 360, 332, 284, 248, 196. Mongonika dance with Kponingbo xylophone, 9 notes.
- Full Text: false
- Date Issued: 1952
- Authors: Mongonika and Zande men and woman , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Zande , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Nguru f-cg
- Language: Zande/Bandiya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/167813 , vital:41512 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0123-04
- Description: Mongonika sang the solo phrases to this dance which is called by the same name as himself. He is a clerk at the Chief's office and dressed himself in the traditional barkcloth 'breeches' and beads for the dances. The breeches are made from a five to six foot lenght of barkcloth about 4 feet wide which is drawn up loosely between the legs spread out before and after abd secured by a belt. The result is a rather voluminous dress typical of many tribes in North Eastern Congo. Tuning of Kponingbo:- 664, 568, 469, 392, 360, 332, 284, 248, 196. Mongonika dance with Kponingbo xylophone, 9 notes.
- Full Text: false
- Date Issued: 1952
Gitare na Congo
- Authors: Bakia Pierre , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Buta f-cg
- Language: Zande/Bandiya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/167395 , vital:41475 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0122-08
- Description: The 'guitar' alluded to in the song is the Kundi. The song is about a blacksmith who beat on his anvil and sang as he did so saying: "My anvil is the real 'guitar' of the Congo. I play it to show how I love my work." It is in this Northern district of the Congo that the art of blacksmithing is unsurpassed. The decorative spears and knives are the pride of the people and feature largely in the list of social and marriage gifts between familes. The singer was given a highly commended prize for this item in the 1952 Osborn Awards for the best African musician of the year. Topical song with Kundi vertical angular harp, 5 strings.
- Full Text: false
- Date Issued: 1952
- Authors: Bakia Pierre , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Buta f-cg
- Language: Zande/Bandiya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/167395 , vital:41475 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0122-08
- Description: The 'guitar' alluded to in the song is the Kundi. The song is about a blacksmith who beat on his anvil and sang as he did so saying: "My anvil is the real 'guitar' of the Congo. I play it to show how I love my work." It is in this Northern district of the Congo that the art of blacksmithing is unsurpassed. The decorative spears and knives are the pride of the people and feature largely in the list of social and marriage gifts between familes. The singer was given a highly commended prize for this item in the 1952 Osborn Awards for the best African musician of the year. Topical song with Kundi vertical angular harp, 5 strings.
- Full Text: false
- Date Issued: 1952
Gotholonga
- Authors: Mulobo Maswa , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bugembe f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171579 , vital:42094 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR142-10
- Description: "You should respect and obey your chief or his messenger. Even though he be small in stature, he is still your chief." Flute tune, Ndele end blown, notched flute.
- Full Text: false
- Date Issued: 1952
- Authors: Mulobo Maswa , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bugembe f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171579 , vital:42094 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR142-10
- Description: "You should respect and obey your chief or his messenger. Even though he be small in stature, he is still your chief." Flute tune, Ndele end blown, notched flute.
- Full Text: false
- Date Issued: 1952
Gowu
- Francois Kokomendre, Hugh Tracey
- Authors: Francois Kokomendre , Hugh Tracey
- Date: 1952
- Subjects: Bangba (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Amasu f-cg
- Language: Mombutu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166662 , vital:41390 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0119-14
- Description: The settings of this zither are made of Kekere cane, the board is Ndete, the resonator (gourd) called the Gara. The strings give out a surprisingly loud note. Only four of the strings were used. "I am a Mombutu and my people were defeated by the Bese." Nostalgic song with zither, Seki 5 strings.
- Full Text: false
- Date Issued: 1952
- Authors: Francois Kokomendre , Hugh Tracey
- Date: 1952
- Subjects: Bangba (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Amasu f-cg
- Language: Mombutu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166662 , vital:41390 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0119-14
- Description: The settings of this zither are made of Kekere cane, the board is Ndete, the resonator (gourd) called the Gara. The strings give out a surprisingly loud note. Only four of the strings were used. "I am a Mombutu and my people were defeated by the Bese." Nostalgic song with zither, Seki 5 strings.
- Full Text: false
- Date Issued: 1952
Gudomboike
- Authors: Rajabu Kayanga , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Ssaza Chiguru f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171283 , vital:42041 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR140-13
- Description: The singer sings in praise of the Soga people, going through their past history and singing out particular events or episodes. Patriotic song, with Budongo 12 note Likembe box resonated.
- Full Text: false
- Date Issued: 1952
- Authors: Rajabu Kayanga , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Ssaza Chiguru f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171283 , vital:42041 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR140-13
- Description: The singer sings in praise of the Soga people, going through their past history and singing out particular events or episodes. Patriotic song, with Budongo 12 note Likembe box resonated.
- Full Text: false
- Date Issued: 1952
Gumbo nangbolanda seyadi
- Ngbanda Mandefu and Kumbazingi Louis, Hugh Tracey
- Authors: Ngbanda Mandefu and Kumbazingi Louis , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Buta f-cg
- Language: Zande
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/167026 , vital:41431 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0121-17
- Description: These words are taken from a local popular song. This is a cheerful little tune with typical Zande lilt. The people sitting nearyby began to sing to the second tune which is a well known piece in that village. The tuning of the Isanzo was pentatonic, the scale being 624, 536, 448, 392, 328, 292, 268, 224, 196, 164 vs. The player said he was not able to sing and play at the same time. Tune played on Isanzo likembe (Mbira) of 10 notes.
- Full Text: false
- Date Issued: 1952
- Authors: Ngbanda Mandefu and Kumbazingi Louis , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Buta f-cg
- Language: Zande
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/167026 , vital:41431 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0121-17
- Description: These words are taken from a local popular song. This is a cheerful little tune with typical Zande lilt. The people sitting nearyby began to sing to the second tune which is a well known piece in that village. The tuning of the Isanzo was pentatonic, the scale being 624, 536, 448, 392, 328, 292, 268, 224, 196, 164 vs. The player said he was not able to sing and play at the same time. Tune played on Isanzo likembe (Mbira) of 10 notes.
- Full Text: false
- Date Issued: 1952
Hayi Iteku
- Dlamini, Nontombi, Nontombi Dlamini and Her Party, Composer not specified, Recordist not specified
- Authors: Dlamini, Nontombi , Nontombi Dlamini and Her Party , Composer not specified , Recordist not specified
- Date: 1952
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Johannessburg sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/449758 , vital:74848 , International Library of African Music, Rhodes University, Makhanda, South Africa , Transcription Services, Rhodes University, Makhanda, South Africa , TS0521-T2528a
- Description: Folk song, unaccompanied
- Full Text: false
- Date Issued: 1952
- Authors: Dlamini, Nontombi , Nontombi Dlamini and Her Party , Composer not specified , Recordist not specified
- Date: 1952
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Johannessburg sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/449758 , vital:74848 , International Library of African Music, Rhodes University, Makhanda, South Africa , Transcription Services, Rhodes University, Makhanda, South Africa , TS0521-T2528a
- Description: Folk song, unaccompanied
- Full Text: false
- Date Issued: 1952
Hayi Molo
- Dlamini, Nontombi, Nontombi Dlamini and Her Party, Composer not specified, Recordist not specified
- Authors: Dlamini, Nontombi , Nontombi Dlamini and Her Party , Composer not specified , Recordist not specified
- Date: 1952
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Johannessburg sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/449740 , vital:74846 , International Library of African Music, Rhodes University, Makhanda, South Africa , Transcription Services, Rhodes University, Makhanda, South Africa , TS0521-T2527a
- Description: Folk song, unaccompanied
- Full Text: false
- Date Issued: 1952
- Authors: Dlamini, Nontombi , Nontombi Dlamini and Her Party , Composer not specified , Recordist not specified
- Date: 1952
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Johannessburg sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/449740 , vital:74846 , International Library of African Music, Rhodes University, Makhanda, South Africa , Transcription Services, Rhodes University, Makhanda, South Africa , TS0521-T2527a
- Description: Folk song, unaccompanied
- Full Text: false
- Date Issued: 1952
Hi-e mungwe
- Chief Bianoko and his tipoyi carriers, Hugh Tracey
- Authors: Chief Bianoko and his tipoyi carriers , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Bira (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombe f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168374 , vital:41574 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0126-05
- Description: The second song strongly resembles those of the Pygmies who were sole occupants of the Ituri forest before the Mabuudu arrived in this locality. They speak of these Mbuti pygmies as Mbutu, a local variation of the pronunciation. Most of the native notables, chiefs and other functionaries are carried around the country from place to place in sedan chairs locally called "tipoyi". The carriers have evolved their oen 'tipoyi' songs and dances. Song and dance with ivory horn basket rattles (-12.54-) and small bell (-12.55-).
- Full Text: false
- Date Issued: 1952
- Authors: Chief Bianoko and his tipoyi carriers , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Bira (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombe f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168374 , vital:41574 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0126-05
- Description: The second song strongly resembles those of the Pygmies who were sole occupants of the Ituri forest before the Mabuudu arrived in this locality. They speak of these Mbuti pygmies as Mbutu, a local variation of the pronunciation. Most of the native notables, chiefs and other functionaries are carried around the country from place to place in sedan chairs locally called "tipoyi". The carriers have evolved their oen 'tipoyi' songs and dances. Song and dance with ivory horn basket rattles (-12.54-) and small bell (-12.55-).
- Full Text: false
- Date Issued: 1952
Howe
- Bodwa men and women, Hugh Tracey
- Authors: Bodwa men and women , Hugh Tracey
- Date: 1952
- Subjects: Kusu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Buta f-cg
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169009 , vital:41670 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0128-16
- Description: Buta frim where this dance song emanates, is on the northern edge of the great tropical forest belt which characterises the central districts of the Congo. The Bobwa people are Bantu but have adopted several characteristics of their Sudanic neighbours, the Zande. Bodwa dance with one wooden slit drum, two cylindrical cross-laced drums, metal hand bell and rattles.
- Full Text: false
- Date Issued: 1952
- Authors: Bodwa men and women , Hugh Tracey
- Date: 1952
- Subjects: Kusu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Buta f-cg
- Language: Mangbetu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169009 , vital:41670 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0128-16
- Description: Buta frim where this dance song emanates, is on the northern edge of the great tropical forest belt which characterises the central districts of the Congo. The Bobwa people are Bantu but have adopted several characteristics of their Sudanic neighbours, the Zande. Bodwa dance with one wooden slit drum, two cylindrical cross-laced drums, metal hand bell and rattles.
- Full Text: false
- Date Issued: 1952
Idi Mambo
- Muliama Namale and Ganda people, Hugh Tracey
- Authors: Muliama Namale and Ganda people , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170887 , vital:41979 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0138-05
- Description: This song is about Idi Mambo, a local eccentric who went about doing peciliar things. He once climbed up a tree and stayed there for four days to the amazement of the people who came from far and near to see him. It appears that 'pole sitting' is not prerogative of eccentric Americans only. Historical song, with one tall conical drum, open, pinned 34" x 9" - one large connical drum laced, 19" x 15 1/2" and hand clapping (-12.03-).
- Full Text: false
- Date Issued: 1952
- Authors: Muliama Namale and Ganda people , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170887 , vital:41979 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0138-05
- Description: This song is about Idi Mambo, a local eccentric who went about doing peciliar things. He once climbed up a tree and stayed there for four days to the amazement of the people who came from far and near to see him. It appears that 'pole sitting' is not prerogative of eccentric Americans only. Historical song, with one tall conical drum, open, pinned 34" x 9" - one large connical drum laced, 19" x 15 1/2" and hand clapping (-12.03-).
- Full Text: false
- Date Issued: 1952
Imbo Kunyangwa
- Authors: Safare Dewu , Hugh Tracey
- Date: 1952
- Subjects: Bangba (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Djugu f-cg
- Language: Balendu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166698 , vital:41394 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0119-17
- Description: "I am afraid of being beaten." The instrument is the 5 stringed Bonguma horizontal, arched harp, the bowl is made of wooden trough. The performer returned his instrument between the first and second song. The second tuning is:- 356, 328, 288, 256, 208. Topical song with harp.
- Full Text: false
- Date Issued: 1952
- Authors: Safare Dewu , Hugh Tracey
- Date: 1952
- Subjects: Bangba (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Djugu f-cg
- Language: Balendu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166698 , vital:41394 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0119-17
- Description: "I am afraid of being beaten." The instrument is the 5 stringed Bonguma horizontal, arched harp, the bowl is made of wooden trough. The performer returned his instrument between the first and second song. The second tuning is:- 356, 328, 288, 256, 208. Topical song with harp.
- Full Text: false
- Date Issued: 1952
Indondoli
- Chief Anga with Mayogo men, Hugh Tracey
- Authors: Chief Anga with Mayogo men , Hugh Tracey
- Date: 1952
- Subjects: Bangba (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Mayogo f-cg
- Language: Mayogo/Bazo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166552 , vital:41378 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0119-01
- Description: The Mayogo are a Sudanic people who came under the influence of the Mangbetu and adopted their ways and customs including that of lengthening the shape of the skull by binding the heads of very young children every day. The bandages are taken off each night and replaced in the morning. Before the child is 2 years old the skull is set into elongated shape. Ni ill effects can be detected by medical men from this practise. Topical song with basket rattle Kekese.
- Full Text: false
- Date Issued: 1952
- Authors: Chief Anga with Mayogo men , Hugh Tracey
- Date: 1952
- Subjects: Bangba (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Mayogo f-cg
- Language: Mayogo/Bazo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166552 , vital:41378 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0119-01
- Description: The Mayogo are a Sudanic people who came under the influence of the Mangbetu and adopted their ways and customs including that of lengthening the shape of the skull by binding the heads of very young children every day. The bandages are taken off each night and replaced in the morning. Before the child is 2 years old the skull is set into elongated shape. Ni ill effects can be detected by medical men from this practise. Topical song with basket rattle Kekese.
- Full Text: false
- Date Issued: 1952
Ingqaqamaziyi
- Bhengu ,Salazabiwe, Composer not specified, Recordist not specified
- Authors: Bhengu ,Salazabiwe , Composer not specified , Recordist not specified
- Date: 1952
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Johannessburg sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/449664 , vital:74839 , International Library of African Music, Rhodes University, Makhanda, South Africa , Transcription Services, Rhodes University, Makhanda, South Africa , TS0376-T2505b
- Description: Folk song, accompanied by concertina
- Full Text: false
- Date Issued: 1952
- Authors: Bhengu ,Salazabiwe , Composer not specified , Recordist not specified
- Date: 1952
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Johannessburg sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/449664 , vital:74839 , International Library of African Music, Rhodes University, Makhanda, South Africa , Transcription Services, Rhodes University, Makhanda, South Africa , TS0376-T2505b
- Description: Folk song, accompanied by concertina
- Full Text: false
- Date Issued: 1952
Into Yami
- King George V Patients, Composer not specified, Recordist not specified
- Authors: King George V Patients , Composer not specified , Recordist not specified
- Date: 1952
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Johannessburg sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/449681 , vital:74840 , International Library of African Music, Rhodes University, Makhanda, South Africa , Transcription Services, Rhodes University, Makhanda, South Africa , TS0424-T2514
- Description: Folk song, unaccompanied
- Full Text: false
- Date Issued: 1952
- Authors: King George V Patients , Composer not specified , Recordist not specified
- Date: 1952
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Johannessburg sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/449681 , vital:74840 , International Library of African Music, Rhodes University, Makhanda, South Africa , Transcription Services, Rhodes University, Makhanda, South Africa , TS0424-T2514
- Description: Folk song, unaccompanied
- Full Text: false
- Date Issued: 1952
Intomi Yekholwa
- Bhengu ,Salazabiwe, Composer not specified, Recordist not specified
- Authors: Bhengu ,Salazabiwe , Composer not specified , Recordist not specified
- Date: 1952
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Johannessburg sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/449643 , vital:74836 , International Library of African Music, Rhodes University, Makhanda, South Africa , Transcription Services, Rhodes University, Makhanda, South Africa , TS0376-T2504a
- Description: Folk song, accompanied by concertina
- Full Text: false
- Date Issued: 1952
- Authors: Bhengu ,Salazabiwe , Composer not specified , Recordist not specified
- Date: 1952
- Subjects: Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Johannessburg sa
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/449643 , vital:74836 , International Library of African Music, Rhodes University, Makhanda, South Africa , Transcription Services, Rhodes University, Makhanda, South Africa , TS0376-T2504a
- Description: Folk song, accompanied by concertina
- Full Text: false
- Date Issued: 1952