A Mama dyelawe (Mother what greed)
- Authors: Chewa girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Vidzumo, Kasungu District, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153464 , vital:39455 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-17
- Description: "Oh, Mother, what greed! The husband with many wives, what greed! He says, close the door, Go to your elder sister. I have resented it, Mama, aye. That is him. The husband likes to eat by himself without his wives or family whom he sends off to eat with others while he feeds alone greedily. Pounding song with pestle and mortar.
- Full Text: false
- Date Issued: 1958
- Authors: Chewa girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Vidzumo, Kasungu District, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153464 , vital:39455 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-17
- Description: "Oh, Mother, what greed! The husband with many wives, what greed! He says, close the door, Go to your elder sister. I have resented it, Mama, aye. That is him. The husband likes to eat by himself without his wives or family whom he sends off to eat with others while he feeds alone greedily. Pounding song with pestle and mortar.
- Full Text: false
- Date Issued: 1958
Kumaji kumailo-mailo
- Boys at Dedza Secondary School, Hugh Tracey
- Authors: Boys at Dedza Secondary School , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184875 , vital:44281 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-08
- Description: There was a man who had a wife and he killed a certain woman who had a child and so his wife adopted the baby. It was the child who is supposed to be singing this song. The child was trying to remember her mother and was thinking how she could have been brought up by her own mother. The mother was killed because of a dispute over an old cow. She was carelessly looked by her stepmother. Ntano story song
- Full Text: false
- Date Issued: 1958
- Authors: Boys at Dedza Secondary School , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184875 , vital:44281 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-08
- Description: There was a man who had a wife and he killed a certain woman who had a child and so his wife adopted the baby. It was the child who is supposed to be singing this song. The child was trying to remember her mother and was thinking how she could have been brought up by her own mother. The mother was killed because of a dispute over an old cow. She was carelessly looked by her stepmother. Ntano story song
- Full Text: false
- Date Issued: 1958
Kwiyo kwiyo (Catch the chicken)
- Authors: Joey Ngwira , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasengu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156885 , vital:40062 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-10
- Description: The Pango (Bango or Bangwe) is the instrument most commonly found throughout Nyasaland. Here the local dialect changes the more usual Bangwe to Pango and sometimes Pangwe. I was strummed with a swaying of the fingers. The singer begs for a chicken. People have been dancing and then are asking the owner of the house to give them a chicken to eat before they go home. Kwiyo-kwiyo is the sound of the fowl. "Kwiyo-kwiyo, catch the chicken even though it is a small one. There is the chicken." The sound of a bugle intrudes just before the end of the song. Self delectative song with board zither (Pango).
- Full Text: false
- Date Issued: 1958
- Authors: Joey Ngwira , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasengu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156885 , vital:40062 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-10
- Description: The Pango (Bango or Bangwe) is the instrument most commonly found throughout Nyasaland. Here the local dialect changes the more usual Bangwe to Pango and sometimes Pangwe. I was strummed with a swaying of the fingers. The singer begs for a chicken. People have been dancing and then are asking the owner of the house to give them a chicken to eat before they go home. Kwiyo-kwiyo is the sound of the fowl. "Kwiyo-kwiyo, catch the chicken even though it is a small one. There is the chicken." The sound of a bugle intrudes just before the end of the song. Self delectative song with board zither (Pango).
- Full Text: false
- Date Issued: 1958
Citawala. 2nd movement
- Benson Phiri, Chewa men, Tracey, Hugh
- Authors: Benson Phiri , Chewa men , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187236 , vital:44588 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-02
- Description: "Men and women, together with the chief, you have come here to see the clever dancers. We come from towns where we sing like church organs." Melody for the 2nd movement. There are two movements in the Muganda dance, the second is performed with drums only and without the Malipenga gourds. Muganda dance, with 1 Bass drum (rubber beaters), I small bass drum (stick beaters) and Malipenga singing gourds with mirliton (-11.14-)
- Full Text: false
- Date Issued: 1950
- Authors: Benson Phiri , Chewa men , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187236 , vital:44588 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-02
- Description: "Men and women, together with the chief, you have come here to see the clever dancers. We come from towns where we sing like church organs." Melody for the 2nd movement. There are two movements in the Muganda dance, the second is performed with drums only and without the Malipenga gourds. Muganda dance, with 1 Bass drum (rubber beaters), I small bass drum (stick beaters) and Malipenga singing gourds with mirliton (-11.14-)
- Full Text: false
- Date Issued: 1950
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