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Antiphon 13-1

- Xhosa composers workshop participants, Molefe, S. C., Dargie, Dave

Antiphon 14-1

- Xhosa composers workshop participants, Molefe, S. C., Dargie, Dave

Antiphon 15-2

- Xhosa composers workshop participants, Mudisa, Sina, Dargie, Dave

Antiphon 15-4

- Xhosa composers workshop participants, Molefe, S. C., Dargie, Dave

Apho kukho imvano no thando

- Xhosa festival workshop participants, Tshula, M., Dargie, Dave

Aphozisuliweyo khona inyembezi

- Church music composition participants, Molefe, S. C., Dargie, Dave

Art and power : an investigation into the effect politics, the church and economics have had on the content of a work of art and the development of art in general

- Heydenrych, Albert B

Aspects of imagery, syntax and metrics in the poetry of George Herbert

- Edgecombe, Rodney Stenning

  • Authors: Edgecombe, Rodney Stenning
  • Date: 1977
  • Subjects: Herbert, George, 1593-1633 -- Criticism and interpretation
  • Language: English
  • Type: Thesis , Masters , MA
  • Identifier: vital:2294 , http://hdl.handle.net/10962/d1011613 , Herbert, George, 1593-1633 -- Criticism and interpretation
  • Description: I intend In this thesis to examine some central features of George Herbert's art - aspects of his imagery syntax and metrics. These topics have been chosen because they encompass large areas of his poetic practice, ramifying as they do into questions of theme, tone and structure. Even a partial. survey of Herbert' s imagery, such as the one I attempt to offer, should enable the reader to judge the range of experience that Herbert brings to bear upon a comparatively circumscribed number of themes, (The "Affliction " poems, for example, are wonderfully diverse, although they have a common thematic centre). A brief examination of the traditions within which Herbert's manipulation of imagery falls should allow one also to judge his resourcefulness, especially in the composites of emblem and symbol he devises on occasion; which in the concluding analyses I attempt to show the structural significance of image patterns in representative poems from The Temple. Thus Chapter I falls into three sections: a brief discussion of emblematic and symbolic traditions together with Herbert 's place in relation to them, a deliberately selective glance over some images (a full examination is far beyond the scope of this thesis), and finally some close analyses of poems in the course of which I try to show the imagery operating as a structural and coordinating device. In Chapter II, I move on to the closely related area of syntax, examining Herbert's formulation of his material, and finding - amongst other things - that there is evidence of "grammatical" imagery where the disposition of a sentence provides a concrete embodiment of the theme. This interrelationship of imagery and syntax (and of imagery and metrics) is a corollory of poetry's organic nature, and in order to stress the mutual collaboration of these features, I have subjected a single poem, "The Flower" to an analysis from three different angles, assuming that each approach will further illuminate the others. All the lyrics would yield riches if treated in this way but my limits of space have naturally precluded so elaborate an undertaking. Even In the analyses of poems that are treated only once, I have been at pains to allow in a glimmering of topics other than that in hand, so as to enlarge the scope of my examination. Although the material in Chapter II is designed to highlight the structural, tonal and thematic effects of syntax in turn, such divisions remain theoretical rather than actual, for they combine almost indivorcibly into a complex whole. Chapter III is patterned like Chapter I in that it moves from a general survey of Herbert's metrics, his rhyme and his stanzaic design, to further close analyses of his metrical procedures in particular lyrics. Both here and in the preceding chapters I have undertaken to look at Herbert's work in close detail, because, as I have already suggested, his is an art of compression, of telescoping a whole range of meanings into the neatest and most compact shape. Given the differences in mode and intention, his poetry often puts one in mind of Jane Austen's fiction - at least in the profundity it achieves within a consciously limited scale and a critical magnifying glass seems to me to be the most apposite aid for such a study as I have undertaken.
  • Full Text:
  • Date Issued: 1977

Attitude and personal orientation differences between clergy of Anglican and Pentecostal denominations with particular reference to sexual ethics

- Davies, Alan Bruce

  • Authors: Davies, Alan Bruce
  • Date: 1977
  • Subjects: Clergy -- Sexual behavior Pentecostalism -- Sexual behavior Anglican Communion -- Clergy -- Sexual behavior Sex -- Religious aspects -- Christianity Christian ethics -- Anglican authors Sexual ethics
  • Language: English
  • Type: Thesis , Bachelor , BDiv
  • Identifier: vital:1247 , http://hdl.handle.net/10962/d1011015
  • Description: The introduction provides a concise discussion of the confused condition of our Western sexuality. It is noted that this confusion has also manifested itself in ecclesiastical circles, and that the contribution of the church towards the resolution of 'moral' confusion in this sphere is in fact minimal. The study then proceeds to a more empirical investigation of certain phenomena which might enable us to demonstrate the close relationship which exists between the individual's psychological condition, or 'state of consciousness', and the type of theology or ethics he formulates or adopts. The present study was an investigation designed to determine whether Anglican clergy and Pentecostal pastors differed significantly with regard to theological orientation, level of self-actualization or the degree of flexibility they showed in the application of sexual values. Furthermore we were concerned to discover the inter-relation between these various traits. A third group of ordinands from St. Paul's College (C.P.S.A.) was also incorporated into the study. All forty eight subjects completed a series of tests and questionnaires which were scored according to eighteen different scales relating to selfactualzing traits, theological orientation and the application of sexual ethics. In brief the results showed that the Anglican clergy were significantly more self-actualizing, theologically liberal and more flexible in the application of sexual values than were Pentecostal pastors. Little difference was found to exist as a function of age and education, or between Anglican clergy and ordinands. Furthermore theological conservatism, general conservatism, dogmatism and inflexibility in the application of sexual ethics were all shown to correlate negatively with self-actualization. In the discussion of results the writer attempted to demonstrate the close relationship between the churchman's psychological make-up and the way in which he construes his world and formulates his theology and ethics. In the concluding discussion the writer once again widened the scope of concern in order to demonstrate how the findings of the present study can be fitted into the broader context of the life of the church. It has been suggested that the type of approach adopted by churchmen to problems of sexuality is very much determined by their psychological make up. Hence in this sense both the status of the church in modern society and the degree to which the church can assist in the resolution of our culture's problems in the field of human sexuality, is greatly dependent upon the 'states of consciousness' of our clergy.
  • Full Text:
  • Date Issued: 1977

Ba banami

- Workshop participants, Moyo, David, Dargie, Dave

Ba nencenba kuthi

- Xhosa music festival participants, Mpotulo, Lambert, Dargie, Dave

Baba somandla

- Redacres workshop participants, Dargie, Dave

Baba Somandla

- Music workshop participants, Group Composition, Dargie, Dave

Baba somandla

- Music workshop participants, Dargie, Dave

Baba somandla

- Music workshop participants, Dargie, Dave

Baba wethu

- Workshop participants, Moyo, David, Dargie, Dave

Baba wethu siyacenga

- Music workshop participants, Sibisi, Cecilia, Dargie, Dave

Baba wethu siyacenga

- Music workshop participants, Sibisi, Cecilia, Dargie, Dave

Baba wethu siyancenga

- Music workshop participants, Sibisi, Cecilia, Dargie, Dave

Baba wethu siyancenga

- Church music workshop participants, Sibisi, Cecilia, Dargie, Dave

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