Ziriya yapasharo
- Manyoni Zhou, Simoni Mashoko Shawa, Manyoni, Zhou, Tracey, Hugh
- Authors: Manyoni Zhou , Simoni Mashoko Shawa , Manyoni, Zhou , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe City not specified f-rh
- Language: Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/315794 , vital:59754 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2746-XYZ6233
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Manyoni Zhou , Simoni Mashoko Shawa , Manyoni, Zhou , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe City not specified f-rh
- Language: Karanga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/315794 , vital:59754 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2746-XYZ6233
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Ziriya yapasharo
- Manyoni Zhou and Simoni Mashoko Shawa, Hugh Tracey
- Authors: Manyoni Zhou and Simoni Mashoko Shawa , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Folk music--Zimbabwe , Shona (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Chilimanzi f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/181444 , vital:43734 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR175-04
- Description: It is usual for semi-professional entertainers of this kind to keep up running patter of amusing remarks and scandal to the traditional airs played on the Njari in the background. Like many other players of this instrument Manyoni Zhou calls himself "The player of Mbira". The two musicians come from neighbouring districts, Zhou from Chilimanzi and Mashoko from Buhera, the district in which the Njari originated about 1760 A.D. Topical song with two Njari Mbira, one with 33 notes and one with 31 notes.
- Full Text: false
- Date Issued: 1949
- Authors: Manyoni Zhou and Simoni Mashoko Shawa , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Folk music--Zimbabwe , Shona (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Chilimanzi f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/181444 , vital:43734 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR175-04
- Description: It is usual for semi-professional entertainers of this kind to keep up running patter of amusing remarks and scandal to the traditional airs played on the Njari in the background. Like many other players of this instrument Manyoni Zhou calls himself "The player of Mbira". The two musicians come from neighbouring districts, Zhou from Chilimanzi and Mashoko from Buhera, the district in which the Njari originated about 1760 A.D. Topical song with two Njari Mbira, one with 33 notes and one with 31 notes.
- Full Text: false
- Date Issued: 1949
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