Showing items 261 - 280 of 2794

A sante mwe

- 4 Tumbuka boys, Hugh Tracey

A) Kazima (Wait for me) B) I-e-e Gumbwa Gumbwa (How alike things are) C) Mee Mbuzi Mee (My Shephard) D) Amanu (Temper, temper)

- Young boys and girls, Hugh Tracey

  • Authors: Young boys and girls , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Vidzumo, Kasungu, Central Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153320 , vital:39435 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-02
  • Description: Sung by boys and girls in their separate sleeping huts before falling asleep. Verses such as these are the heritage of most African tribes. a) "Kazima, wait for me, please wait for me. There is some meat on the roof. (I have something to tell you). There is something on the path. There is meat on the roof. b) "I-i-i! How alike things are!. The people here are clever. They visit secretly, so... The meat has gone away. With whom shall I walk? The story is told, so... To whom shall I walk?" c) "My shephard is dead, he striped and fell. Oh dear, oh dear. The goat cries 'me-e-e!" d) "Where has the mother gone? Where is she? She has gone to Malambo. What has she gone for? She has gone to buy millet. What will she do with it? She will make beer. (etc.) Verses are made up as they go along. 4 Children's verses.
  • Full Text: false
  • Date Issued: 1958

A) Lululu, B) Leza wa mwana

- Lusiya Nabanda (a grandmother), Hugh Tracey

  • Authors: Lusiya Nabanda (a grandmother) , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Chadza, Liliongwe, Central Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153329 , vital:39436 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-03
  • Description: Old traditional lullabies, by Chewa women of this district. In them the continually harassed mother mentions her many and endless duties which demand her attention as well as the child which needs her constant care. b) "Luluya, sleeping child, do not cry. See your motehr is at work. See the porridge pot is boiling. Don't go on crying, go to sleep. A child's god is a scrap of food. Its mother is the stirring stick. Should I nurse a child on account of the stirring stick? Its father is its first finger. I get only a share from the kitchen spoon." Two lullabies.
  • Full Text: false
  • Date Issued: 1958

A-a-ye nanga omwale (Aaye! what about Omwale)

- Women, Hugh Tracey

  • Authors: Women , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Lilongwe f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/158936 , vital:40242 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-12
  • Description: Dance tunes with the minimum of melodic inspiration to evoke the dance. The bass drum was beaten by two women, one on each side of the drum opposite each other. The song consists mostly of references to the names of local persons. Such as OMwale, Ojere, OPhiri etc., each with the tonorific prefix 'O'. The equivalent of the English "Mister". Dance tune with bass drum.
  • Full Text: false
  • Date Issued: 1958

Abale ndutani (Brother, what shall I do with my life. Can I cut it?)

- Tweleve elderly women, Hugh Tracey

Abuye Zandiombale (Uncle, come and help me to pay credit)

- Tweleve elderly women, Hugh Tracey

Acikanja (A name)

- 3 Yao women, Hugh Tracey

Adamu, we (Adam, you have left me)

- Chewa women, Hugh Tracey

Adaweta ng'ombe, kapolo uja (That slave herded the cattle)

- Gezani Mwale, Hugh Tracey

  • Authors: Gezani Mwale , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Bimphi, Dowa, Central Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153999 , vital:39552 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR079-05
  • Description: "He herded the cattle, that slave. He herded the cattle, father. The cattle, the cattle, the cattle, mother. He herded the cattle, that slave. They are in the kraal." Slavery was common place in this region until the end of the 19th century because the YAO, on behalf of the Arabs and themselves would capture the local CHEWA and make them slaves for sale or service. Self delectative song with Sansi (Mbira)
  • Full Text: false
  • Date Issued: 1958

Adisi adisi (The girl and the guinea fowl)

- Ali Sinoia Milazi and 4 Yao men, Hugh Tracey

  • Authors: Ali Sinoia Milazi and 4 Yao men , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Yao (African people) , Arts, Malawi , Folk music , Africa Malawi Visanza, Central Nyasaland f-mw
  • Language: Yao
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/154766 , vital:39773 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR083-11
  • Description: A stroy of a girl and the protective colouring of guinea fowl spots. One of the few stories, perhaps, which makes a reference to cannibalism. There was once a girl who went to the garden to fetch mealies. Now there came some guinea fowls and she was facinated by their spots. She said "oh! can't you make me some lovely spots like yours?" They said, "No! we cannot because we are afraid of your father and mother." But the girl said, "Don't you be afraid of my parents." So they made them for her. Then she went off to an old woman who was a cannibal and was delighted to see the girl but the girl put on her spots and escaped. Story song.
  • Full Text: false
  • Date Issued: 1958

Ah la la Mama

- Mpunyuka Madonsela, Hugh Tracey

  • Authors: Mpunyuka Madonsela , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Bremersdorp District f-sq
  • Language: Swati
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/152686 , vital:39331 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR071-09
  • Description: "No woman is any better than any other woman. The only difference is whether you love them or not." This piece of homely philosophy no doubt reflects far more than a merely personal opinion. Topical song with concertina.
  • Full Text: false
  • Date Issued: 1958

Ai lelo kwa Masula kotokoto (Today at Masula, sickness)

- Woman of Masula village, Hugh Tracey

Ai-ye! Nzara yakabora (Ai-ye! Famine has come)

- Young Tonga men and girls, Hugh Tracey

Akanji gele maleza (Go and get a razor)

- Young Chewa boys (Under 20 years), Hugh Tracey

Akayamba kudelela (Never satisfied)

- Four girls, Hugh Tracey

Akazi aku Dowa (The women of Dowa)

- Pearson Kapeni, Hugh Tracey

  • Authors: Pearson Kapeni , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dowa, Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153779 , vital:39521 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR078-02
  • Description: "The women of Dowa desire very much to drink beer. Their work indeed is to drink beer. The women of Dowa, their work is to sell flour and flat cakes. And when they get home their marriage is broken. The women of Msoci, their work is to love the market place. And they was on Saturday only. I, Pearson Kapeni have troubles in the country of Dowa. This country hates me, why does it hate me? The reference to washing on Saturday is appreciated when one remembers that Saturday is market day in Dowa when the women put on their best clothes. The song struck home as it was true. Topical song with guitar.
  • Full Text: false
  • Date Issued: 1958

Akazi amachenjera (Women are clever)

- Five Chewa men, Hugh Tracey

  • Authors: Five Chewa men , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/160233 , vital:40423 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR097-08
  • Description: An old song, now only sung by the older men and danced by the men at drinking parties. This wicked old song was much enjoyed by the singers and by their contemporaries and all the older people around. "Women are very clever, they have their own ways of having fun (with other men). M'kwenda dance with 5 Umkwenda friction sticks.
  • Full Text: false
  • Date Issued: 1958

Akweni (Sister I am tired)

- Chewa women, Hugh Tracey

Alaina n'kuphika nkhwani (Alaina cooked vegetables)

- Chewa girls, Hugh Tracey

  • Authors: Chewa girls , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/160170 , vital:40415 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR097-01
  • Description: This kind of dance they say was first introduced into the district by Yao people about 15 years ago in 1940 when it was originally sung in the Yao language from the Fort Johnstone district. But the Chewa girls liked the dance and made up their own words for it. They reflect a young girls growing sense of responsibility towards her domestic duties. "Alaina cooked vegetables, what shall I do for vegetables myself? My mother cooked vegetables, what shall I do for vegetables myself?" Mjiri dance song. Girls evening dances with clapping.
  • Full Text: false
  • Date Issued: 1958

Alipaole (When it is dark)

- Losani Malewa, Hugh Tracey

  • Authors: Losani Malewa , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Lomwe (African people) , Chewa (African people) , Folk music , Africa Malawi Mkanda f-mw
  • Language: Lomwe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/160661 , vital:40492 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR098-11
  • Description: He performs this song, he says, when he is happy. "When it is darkpeople talk. This is a usual thing as they want to enchant each other." To enchant, to influence, to throw a spell upon a person. Self delectative song with one-stringed stressed lute Thangara.
  • Full Text: false
  • Date Issued: 1958
  • Disclaimer
  • Privacy
  • Copyright
  • Contact