Paryi vilipo visika alendo amwe
- Alfuledi Nyoni, Tumbuka men, Hugh Tracey
- Authors: Alfuledi Nyoni , Tumbuka men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kazimba f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185213 , vital:44340 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-19
- Description: The syncopated clapping is provided by the women. Both men and women form a circle and individual men prance out into the centre of the circle to do a pas seul. Drinking song with clapping
- Full Text: false
- Date Issued: 1950
- Authors: Alfuledi Nyoni , Tumbuka men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kazimba f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185213 , vital:44340 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-19
- Description: The syncopated clapping is provided by the women. Both men and women form a circle and individual men prance out into the centre of the circle to do a pas seul. Drinking song with clapping
- Full Text: false
- Date Issued: 1950
Pasi pali kugona nkhulina
- Yafeti Zimba, Jafeti Zimba, Hugh Tracey
- Authors: Yafeti Zimba , Jafeti Zimba , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kazimba f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185222 , vital:44341 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-20
- Description: The drinking songs of this area are largely composed of shouting and chanting without intelligable words. "Good people are lying dead under the ground! My wife boil the water for our beer." The two voices cause a celeste between them similar to the sound of over-modulation. Drinking song with clapping
- Full Text: false
- Date Issued: 1950
- Authors: Yafeti Zimba , Jafeti Zimba , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kazimba f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185222 , vital:44341 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-20
- Description: The drinking songs of this area are largely composed of shouting and chanting without intelligable words. "Good people are lying dead under the ground! My wife boil the water for our beer." The two voices cause a celeste between them similar to the sound of over-modulation. Drinking song with clapping
- Full Text: false
- Date Issued: 1950
Pendeka
- Lucy Nyamangwe, Tonga women, Hugh Tracey
- Authors: Lucy Nyamangwe , Tonga women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184940 , vital:44290 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-15
- Description: "We are the jealous ones, we have been sent here." The pendeka is a kind of team-o-shanter worn by women. The force with which these women sing their simple songs shows how accustomed they are to sing them and the natural part such songs play in their lives. Kwaya dance for younger men and women
- Full Text: false
- Date Issued: 1950
- Authors: Lucy Nyamangwe , Tonga women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184940 , vital:44290 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-15
- Description: "We are the jealous ones, we have been sent here." The pendeka is a kind of team-o-shanter worn by women. The force with which these women sing their simple songs shows how accustomed they are to sing them and the natural part such songs play in their lives. Kwaya dance for younger men and women
- Full Text: false
- Date Issued: 1950
Roda ndirinde
- Authors: Nezala Shongs , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185095 , vital:44327 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-06
- Description: "Roda wait for me, I have been following you a long way. Please wait, I want to talk yo you." The singer is Ngoni buy belongs to one of the small Ngoni groups now living amongst the Tumbuka. Love song with Bango board Zither (7 notes)
- Full Text: false
- Date Issued: 1950
- Authors: Nezala Shongs , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185095 , vital:44327 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-06
- Description: "Roda wait for me, I have been following you a long way. Please wait, I want to talk yo you." The singer is Ngoni buy belongs to one of the small Ngoni groups now living amongst the Tumbuka. Love song with Bango board Zither (7 notes)
- Full Text: false
- Date Issued: 1950
Slia Lazaro soka
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184579 , vital:44237 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-02
- Description: "I will meet my love some day, Elia let us go and sing with my love Steria (Esther)." Love song
- Full Text: false
- Date Issued: 1950
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184579 , vital:44237 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-02
- Description: "I will meet my love some day, Elia let us go and sing with my love Steria (Esther)." Love song
- Full Text: false
- Date Issued: 1950
Suzgu muyaya
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184812 , vital:44274 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-01
- Description: "Men from our country are living in Rhodesia with other tribes. While we, left at home, are enduring all the difficulties of Nyasaland (Present day Malawi)." This is well supported by the statistics (1950); it is said that of 20,000 Tonga of this Chinteche District, 8,000 have left permantely from Southern and Northern Rhodesia and South Africa, another 8,000 are away and expected to return within 5 years, and 4,000 only remain in the country, most of whom will be off again as soon as their money is spent. The women and old men are left to do all the agricultural and home work. Topical song with Bangwe raft zither, 7 strings
- Full Text: false
- Date Issued: 1950
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184812 , vital:44274 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-01
- Description: "Men from our country are living in Rhodesia with other tribes. While we, left at home, are enduring all the difficulties of Nyasaland (Present day Malawi)." This is well supported by the statistics (1950); it is said that of 20,000 Tonga of this Chinteche District, 8,000 have left permantely from Southern and Northern Rhodesia and South Africa, another 8,000 are away and expected to return within 5 years, and 4,000 only remain in the country, most of whom will be off again as soon as their money is spent. The women and old men are left to do all the agricultural and home work. Topical song with Bangwe raft zither, 7 strings
- Full Text: false
- Date Issued: 1950
Tangu kwata m'cembele
- Authors: Khwele Kwenda , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186498 , vital:44505 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-09
- Description: The Sansi was fixed onto the Chigubu resonator by three point suspensions, 2 at the straining bar and 1 at the foot, all secured by bark string. The Njela (s. and pl.) reeds were made from the spokes of an umbrella and the player said that in times past the reeds used to be made of bamboo. "I married three girls, later I found that all three were unfaithful to me so I decided to marry one fully grown woman instead." Tuning:- 704, 584, 520, 448, 384, (352 missing), 332, 292, 260, 224, 176. This pentatonic sansi mbira is mounted in the mouth of a gourd resonator with a number of pieces of tin as buzzers, Mangwere, attached to two thirds of the periphery of the gourd. Self delectative song, with Sansi mbira
- Full Text: false
- Date Issued: 1950
- Authors: Khwele Kwenda , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186498 , vital:44505 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-09
- Description: The Sansi was fixed onto the Chigubu resonator by three point suspensions, 2 at the straining bar and 1 at the foot, all secured by bark string. The Njela (s. and pl.) reeds were made from the spokes of an umbrella and the player said that in times past the reeds used to be made of bamboo. "I married three girls, later I found that all three were unfaithful to me so I decided to marry one fully grown woman instead." Tuning:- 704, 584, 520, 448, 384, (352 missing), 332, 292, 260, 224, 176. This pentatonic sansi mbira is mounted in the mouth of a gourd resonator with a number of pieces of tin as buzzers, Mangwere, attached to two thirds of the periphery of the gourd. Self delectative song, with Sansi mbira
- Full Text: false
- Date Issued: 1950
Tate o mwale de
- Shawa, Govati, Chewa women, Hugh Tracey
- Authors: Shawa , Govati , Chewa women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186469 , vital:44502 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-06
- Description: This song is sung by people after drinking on their way home; the crowd echoing the words of the two principle singers. This style of singing is very common among the Nyanja people near Zomba. Drinking song
- Full Text: false
- Date Issued: 1950
- Authors: Shawa , Govati , Chewa women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186469 , vital:44502 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-06
- Description: This song is sung by people after drinking on their way home; the crowd echoing the words of the two principle singers. This style of singing is very common among the Nyanja people near Zomba. Drinking song
- Full Text: false
- Date Issued: 1950
Tikumbuka Vifya
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184597 , vital:44239 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-04
- Description: The line of great hills which run up along the North Western flank of the Lake Nyasa is called Vipya in the south and Vifya among the Tongs in the north. The song refers to the tragic loss of the Lake steamer 'Vipya' in 1947, which was named after the hills, while she was carrying pilgrims crossing the lake to go to Dar-es-Salaam. Lament
- Full Text: false
- Date Issued: 1950
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184597 , vital:44239 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-04
- Description: The line of great hills which run up along the North Western flank of the Lake Nyasa is called Vipya in the south and Vifya among the Tongs in the north. The song refers to the tragic loss of the Lake steamer 'Vipya' in 1947, which was named after the hills, while she was carrying pilgrims crossing the lake to go to Dar-es-Salaam. Lament
- Full Text: false
- Date Issued: 1950
Timuke nanu oiya
- Authors: Khwele Kwenda , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186523 , vital:44508 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-11
- Description: The Sansi was fixed onto the Chigubu resonator by three point suspensions, 2 at the straining bar and 1 at the foot, all secured by bark string. The Njela (s. and pl.) reeds were made from the spokes of an umbrella and the player said that in times past the reeds used to be made of bamboo. "Although I am so quiet, Mother, I still have many troubles because of my poverty." Simple song by a man who earns part of his living by playing and singing as one of his feet is affected by leprosy and he can do no other work. Self delectative song, with Sansi mbira
- Full Text: false
- Date Issued: 1950
- Authors: Khwele Kwenda , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186523 , vital:44508 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-11
- Description: The Sansi was fixed onto the Chigubu resonator by three point suspensions, 2 at the straining bar and 1 at the foot, all secured by bark string. The Njela (s. and pl.) reeds were made from the spokes of an umbrella and the player said that in times past the reeds used to be made of bamboo. "Although I am so quiet, Mother, I still have many troubles because of my poverty." Simple song by a man who earns part of his living by playing and singing as one of his feet is affected by leprosy and he can do no other work. Self delectative song, with Sansi mbira
- Full Text: false
- Date Issued: 1950
Tisankhe lero
- Chewa girls at Mwase, Hugh Tracey
- Authors: Chewa girls at Mwase , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186353 , vital:44489 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR190-09
- Description: This is a singing game in which the children are asked to choose their true love. One child dances across to choose her love who dances after her until all have had their dance. Singing game with clapping
- Full Text: false
- Date Issued: 1950
- Authors: Chewa girls at Mwase , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186353 , vital:44489 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR190-09
- Description: This is a singing game in which the children are asked to choose their true love. One child dances across to choose her love who dances after her until all have had their dance. Singing game with clapping
- Full Text: false
- Date Issued: 1950
Title 1. Amacila kuwowa, Title 2. Kwathu ntele
- Rabsoni Banda, Chewa men, Hugh Tracey
- Authors: Rabsoni Banda , Chewa men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186453 , vital:44500 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-05
- Description: Two Songs for carrying Mashila. The old practice of carrying white men, chiefs or notables about in litters has now ceased with the advent of roads and mechanical transport, but the song was sung by the father of the present singers up till about 1930, they say. Two Mashila (Sedan chair) carrying songs.
- Full Text: false
- Date Issued: 1950
- Authors: Rabsoni Banda , Chewa men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186453 , vital:44500 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-05
- Description: Two Songs for carrying Mashila. The old practice of carrying white men, chiefs or notables about in litters has now ceased with the advent of roads and mechanical transport, but the song was sung by the father of the present singers up till about 1930, they say. Two Mashila (Sedan chair) carrying songs.
- Full Text: false
- Date Issued: 1950
Title 1. Skekelele Canthemwa, Title 2. Zamuone magege
- School children at Mwase Central School, Hugh Tracey
- Authors: School children at Mwase Central School , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186547 , vital:44510 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-12
- Description: a. "We are glad to see our Chief, who has come to collect taxes." It is clear the song is sung by the children and not by the tax payers. b. "Come and see the stones." This song usually accompanies a singing game done with stones which are passed on from child to child in the circle. The leader started this song before the first had finished. The style of singing in both these songs originated from the school rather than the villages. Two Walking song
- Full Text: false
- Date Issued: 1950
- Authors: School children at Mwase Central School , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186547 , vital:44510 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-12
- Description: a. "We are glad to see our Chief, who has come to collect taxes." It is clear the song is sung by the children and not by the tax payers. b. "Come and see the stones." This song usually accompanies a singing game done with stones which are passed on from child to child in the circle. The leader started this song before the first had finished. The style of singing in both these songs originated from the school rather than the villages. Two Walking song
- Full Text: false
- Date Issued: 1950
Tiye kwanu mtengwa
- Authors: Khwele Kwenda , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186518 , vital:44507 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-10
- Description: The Sansi was fixed onto the Chigubu resonator by three point suspensions, 2 at the straining bar and 1 at the foot, all secured by bark string. The Njela (s. and pl.) reeds were made from the spokes of an umbrella and the player said that in times past the reeds used to be made of bamboo. "My wife go to your home and tell them there all your troubles (don't bother me with them.)" Simple song by a man who earns part of his living by playing and singing as one of his feet is affected by leprosy and he can do no other work. Self delectative song, with Sansi mbira
- Full Text: false
- Date Issued: 1950
- Authors: Khwele Kwenda , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186518 , vital:44507 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-10
- Description: The Sansi was fixed onto the Chigubu resonator by three point suspensions, 2 at the straining bar and 1 at the foot, all secured by bark string. The Njela (s. and pl.) reeds were made from the spokes of an umbrella and the player said that in times past the reeds used to be made of bamboo. "My wife go to your home and tell them there all your troubles (don't bother me with them.)" Simple song by a man who earns part of his living by playing and singing as one of his feet is affected by leprosy and he can do no other work. Self delectative song, with Sansi mbira
- Full Text: false
- Date Issued: 1950
Tiziyendelana
- Ganizani Nyirenda, Hugh Tracey
- Authors: Ganizani Nyirenda , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186617 , vital:44518 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-18
- Description: This is his own composition. The apparent over-modulation of the voice seems to be caused by the vibration of the mirliton buzzer. Self delectative song with 10 note Kalimba (Mbira)
- Full Text: false
- Date Issued: 1950
- Authors: Ganizani Nyirenda , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186617 , vital:44518 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-18
- Description: This is his own composition. The apparent over-modulation of the voice seems to be caused by the vibration of the mirliton buzzer. Self delectative song with 10 note Kalimba (Mbira)
- Full Text: false
- Date Issued: 1950
Uku ndapita ine
- Ganizani Nyirenda, Hugh Tracey
- Authors: Ganizani Nyirenda , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186603 , vital:44516 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-16
- Description: Self delectative song with 10 note Kalimba (Mbira)
- Full Text: false
- Date Issued: 1950
- Authors: Ganizani Nyirenda , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186603 , vital:44516 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-16
- Description: Self delectative song with 10 note Kalimba (Mbira)
- Full Text: false
- Date Issued: 1950
Vigwada mucenyele navyo
- Tumbuka women with men in the background, Hugh Tracey
- Authors: Tumbuka women with men in the background , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185150 , vital:44333 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-12
- Description: Be careful of cassava leaves, do not eat them, my man, or ypu will die." Certain kinds of cassava roots are poisonous containing prussic acid until soaked in water or otherwise treated. Presumably the leaves also are poisonous. Pounding song with mortar and two pestles
- Full Text: false
- Date Issued: 1950
- Authors: Tumbuka women with men in the background , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185150 , vital:44333 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-12
- Description: Be careful of cassava leaves, do not eat them, my man, or ypu will die." Certain kinds of cassava roots are poisonous containing prussic acid until soaked in water or otherwise treated. Presumably the leaves also are poisonous. Pounding song with mortar and two pestles
- Full Text: false
- Date Issued: 1950
Wadikulu wajikoma
- Authors: Nezala Shonga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mukotsama f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185315 , vital:44364 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-08
- Description: "She has shaken herself to death by dancing, this women with fine hips." A song of country humour by the comedian of the village who is also an attractive dancer of the 'Vimbuza' solo dance. Humorous song with Bango board zither
- Full Text: false
- Date Issued: 1950
- Authors: Nezala Shonga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mukotsama f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185315 , vital:44364 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-08
- Description: "She has shaken herself to death by dancing, this women with fine hips." A song of country humour by the comedian of the village who is also an attractive dancer of the 'Vimbuza' solo dance. Humorous song with Bango board zither
- Full Text: false
- Date Issued: 1950
Wagona muntowa
- Gindiloni Ngoma, Hugh Tracey
- Authors: Gindiloni Ngoma , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185231 , vital:44355 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-01
- Description: The Ugubu was a popular instrument with the Zulu of Natal several generations ago but few are now left in Natal. With the exception of one or two minor details this instrument is in the same as that of the Zulu. The chief modification is the use of a straining bridge to increase the tension of the bark string. This bow was made of a length of Tete reed 5 ft. 2 1/4 inches long and about 1 1/4 ins. diameter, and had an unusual method of straining the single string. There was a small bridge inserted between the reed and the string near the lower end and the resonating gourd was attached by means of a wore which also acted as a moveable tuning device dividing the string into two segments. The top segment was 3 ft. 10 ins. long and emitted a note of 71 vs. (81 vs. when stopped by clasping between the finger and thumb). The lower segment was not used. The interval between the two notes used is 220 cents. Self delectative song with Ugubu, musical bow, stressed and resonated
- Full Text: false
- Date Issued: 1950
- Authors: Gindiloni Ngoma , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185231 , vital:44355 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-01
- Description: The Ugubu was a popular instrument with the Zulu of Natal several generations ago but few are now left in Natal. With the exception of one or two minor details this instrument is in the same as that of the Zulu. The chief modification is the use of a straining bridge to increase the tension of the bark string. This bow was made of a length of Tete reed 5 ft. 2 1/4 inches long and about 1 1/4 ins. diameter, and had an unusual method of straining the single string. There was a small bridge inserted between the reed and the string near the lower end and the resonating gourd was attached by means of a wore which also acted as a moveable tuning device dividing the string into two segments. The top segment was 3 ft. 10 ins. long and emitted a note of 71 vs. (81 vs. when stopped by clasping between the finger and thumb). The lower segment was not used. The interval between the two notes used is 220 cents. Self delectative song with Ugubu, musical bow, stressed and resonated
- Full Text: false
- Date Issued: 1950
Walila winu mung'omba
- Authors: Japhet Zimba , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185354 , vital:44368 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-12
- Description: "The hornbills are singing, 'the night is gone'." This district contains people of mixed blood, Ngoni and Tumbuka. They call themselves Ngoni but speak Tumbuka. Self delectative song with Kalimba (9 notes)
- Full Text: false
- Date Issued: 1950
- Authors: Japhet Zimba , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185354 , vital:44368 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-12
- Description: "The hornbills are singing, 'the night is gone'." This district contains people of mixed blood, Ngoni and Tumbuka. They call themselves Ngoni but speak Tumbuka. Self delectative song with Kalimba (9 notes)
- Full Text: false
- Date Issued: 1950